Safari draws its inspiration from the landscapes and wildlife of East Africa, where the maison has spent two decades sourcing the stones at its heart. These are not landscapes observed from a distance. They are places known on foot, in the field, across seasons and terrain where the light changes everything and no surface is ever quite the same twice.

Here, form is not designed but discovered. The texture of a crocodile's skin, the proportion of a giraffe in stillness, the irregular beauty of materials shaped entirely by time and condition. Nothing is uniform, and nothing needs to be. The wild does not apologise for its asymmetry.

This sensibility runs through every Safari piece. It informs an aesthetic where texture carries meaning, where the mark of formation is preserved rather than refined away, and where jewellery holds something of the landscape that produced it.

Not a representation of Africa, but a response to it.