Safari draws its inspiration from the landscapes and wildlife of East Africa, where Rosenkrantz has spent two decades sourcing the stones we use. These are not landscapes observed from a distance; they are places known on foot and across seasons.
Here, form is not designed but discovered. The texture of a crocodile's skin, the calm of a giraffe in stillness, the irregular beauty of nature shaped entirely by time and condition. Nothing is unchanging and nothing needs to be.

This discernment runs through every Safari piece. It informs an aesthetic where texture carries meaning, where the mark of formation is preserved rather than refined away, and where jewellery holds something of the landscape that produced it.

Not a representation of Africa, but a response to it.